[et_pb_section fb_built=\u00a0\u00bb1″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb background_color=\u00a0\u00bb#cce9f3″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row module_id=\u00a0\u00bbFran\u00e7ais\u00a0\u00bb _builder_version=\u00a0\u00bb4.23.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.23.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text module_id=\u00a0\u00bbMoments22FR\u00a0\u00bb _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_text_color=\u00a0\u00bb#3063b5″ header_font=\u00a0\u00bb|800|||||||\u00a0\u00bb header_text_align=\u00a0\u00bbcenter\u00a0\u00bb header_text_color=\u00a0\u00bb#3063b5″ header_font_size=\u00a0\u00bb70px\u00a0\u00bb header_line_height=\u00a0\u00bb1.6em\u00a0\u00bb header_2_font=\u00a0\u00bbMontserrat|600|||||||\u00a0\u00bb header_2_text_align=\u00a0\u00bbcenter\u00a0\u00bb header_2_text_color=\u00a0\u00bb#3063b5″ header_2_font_size=\u00a0\u00bb30px\u00a0\u00bb header_2_line_height=\u00a0\u00bb1.4em\u00a0\u00bb header_3_font=\u00a0\u00bb||||||||\u00a0\u00bb header_3_text_align=\u00a0\u00bbcenter\u00a0\u00bb header_3_text_color=\u00a0\u00bb#3063b5″ header_3_font_size=\u00a0\u00bb35px\u00a0\u00bb header_4_font=\u00a0\u00bbMontserrat||||||||\u00a0\u00bb header_4_text_color=\u00a0\u00bb#3063b5″ header_4_line_height=\u00a0\u00bb1.3em\u00a0\u00bb text_orientation=\u00a0\u00bbjustified\u00a0\u00bb header_font_size_tablet=\u00a0\u00bb70px\u00a0\u00bb header_font_size_phone=\u00a0\u00bb45px\u00a0\u00bb header_font_size_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb header_2_font_size_tablet=\u00a0\u00bb30px\u00a0\u00bb header_2_font_size_phone=\u00a0\u00bb25px\u00a0\u00bb header_2_font_size_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n
Conservatoire de Musique de Qu\u00e9bec, de 1964 \u00e0 1968. \u00c9tudes post-gradu\u00e9es \u00e0 l\u2019Instituut voor Sonologie \u00e0 Utrecht en 1968\/69. 1969, fondation du Studio de Musique \u00c9lectronique de la Facult\u00e9 de Musique de l’Universit\u00e9 Laval. \u00c9t\u00e9 1970, stage en Computer Music au Centre d’Intelligence Artificielle de l’Universit\u00e9 Stanford \u00e0 Palo Alto en Californie.<\/p>\n
En 1974, fondation du Groupe d’Interpr\u00e9tation de Musique \u00c9lectroacoustique (G.I.M.EL). Concerts au Qu\u00e9bec et en Ontario puis deux tourn\u00e9es internationales. D\u2019abord l\u2019Europe (Belgique \u2013 Allemagne \u2013 Hollande \u2013 France) puis les \u00c9tats-Unis (Raleigh \u2014 Washington \u2014 New York \u2014 Boston).<\/p>\n
En 1980, au Japon, visite des principaux manufacturiers de synth\u00e9tiseurs: Yamaha, Korg et Roland. Puis vice-pr\u00e9sident fondateur de Technos. Responsable du design musical du 16 Pi et du Resynth\u00e9tiseur Acxel.<\/p>\n
1999 – La Onzi\u00e8me Vibration Entendue [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" Copyrights: langis.gaulin@videotron.ca NIL PARENT Conservatoire de Musique de Qu\u00e9bec, de 1964 \u00e0 1968. \u00c9tudes post-gradu\u00e9es \u00e0 l\u2019Instituut voor Sonologie \u00e0 Utrecht en 1968\/69. 1969, fondation du Studio de Musique \u00c9lectronique de la Facult\u00e9 de Musique de l’Universit\u00e9 Laval. \u00c9t\u00e9 1970, stage en Computer Music au Centre d’Intelligence Artificielle de l’Universit\u00e9 Stanford \u00e0 Palo Alto en […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-276","page","type-page","status-publish","hentry"],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t
2001 – V11, le deuxi\u00e8me seuil. Sous-titre: Humaine Harmonie.
2015 – Vers le haut. Sous-titre: V11- La vibration apocalyptique.
2020 – Le Sentiment d\u2019Harmonie
Depuis 2010, design musical du Lusson<\/strong> \u2014 nouvel instrument de musique.<\/p>\n